POST NO BILLS



"A telling portrait of Conal and his mission..." Creative Loafing, Atlanta "Powerful and irreverent, thoroughly engaging and smartly done..." Atlanta Journal Constitution "Post No Bills is an example of the many-sided reporting one yearns for on the evening news." Honolulu Academy of Arts "Fascinating subject, well-balanced film... Walker has hit upon a fascinating subject and does a remarkable job of addressing the most important questions about Conal in this film" Orlando Sentinel "I can't tell you how much fun it is to actually see some of Conal's subjects talking about the artwork that is directed at them." Film Threat Magazine "An appropriately gritty glimpse..." The Oakland Tribune "Walker has created an engaging picture of Conal as guerilla artist who is in it as much for the laughs as he is for the money." Tucson Citizen "Walker captures it all with a style as breezy as Conal's own personality. The light touch makes the subject matter seem that much more brutal." Tucson Citizen "Obviously Academy Award stuff..." Daryl F. Gates (5/93) "There is a certain irony in the way Walker charts Conal's rapid rise from anonymous satirist to media celebrity." Kevin Thomas, The Los Angeles Times "Walker has chosen a subject so complex and frought with apparent contradiction - or maybe naivete - as to certainly hold our attention..." Atlanta Press

	"Flick of the Week - Post No Bills" - Atlanta Press, November 13-19, P. 30 [downloadable_PDF] "Post No Bills - Robbie Conal Was Here," Film Threat Video Guide, Issue 2, p.18, 1991. "Rochester Festival Brings in Films on a Shoestring," Democrat and Chronicle, Rochester, NY, May 2, 1991, p. 12C. "Ex-Memphian's film to be on WKNO," The Commercial Appeal, Memphis, TN, May 28, 1991. "AFI Sets Indie Showcase Schedule," Daily Variety, June 27, 1991. "In Light of Recent Events," URB Magazine, July 1991, pp. 26-28 (selected photographs.) "Venice 'guerilla' Artist Conal Subject of 'Post No Bills' Film," The Argonaut, August 8, 1991, B-2. "Underground," Film Threat Magazine, November 1991, P. 65. "BYTES," Screen International, September 25, 1991, p. 2. "All for One, Cinequest for All," San Jose Mercury News, October 4, 1992, p.3. "In Search of Film," Metro, San Jose, CA, October 8-14, 1992, p. 30. "The Artist as a Young Guerilla," Los Angeles Times, November 2, 1992, F7. "Human Rights Fest Continues at Grand Illusion," The Seattle Times, November 13, 1992. "Taking a Pasting: Conal on Receiving End of Satirical Posters," Los Angeles Times, November 19, 1992, pp. F1, F9. "Robbie Conal, The Statement of an Artist," Letters to the Editor, Los Angeles Times, November 28, 1992, p. F4. "The New Activism," Filmmaker Magazine, Winter 1992, p. 65. "'Post No Bills' Satirist Works for Laughs, Too," Citizen, Tucson, AZ, January 21, 1993, p. 8. "Film Looks at Poster Artist's Antics," Arizona Daily Wildcat, January 22, 1993, p. 6. "Film Notes," The Washington Post, February 12, 1993. "Guerilla in the City," Film Threat Video Guide, Issue 7, p. 62-63. "Top 10 Street Posters," Venice Magazine, February 1993, p. 68-69. "ITVS' Trial by Fire," The Independent, March 1993, p. 10-12. "In and Out of Production," The Independent, March 1993, p. 40. "Expo Offerings Explore Guerilla Art Tactics," Albuquerque Journal, March 18, 1993, p. E2. "Short Runs," New City, Chicago, May 6, 1993, p. 34. "'Bills' Documents Rise of Political Artist," The Atlanta Journal Constitution, May 10, 1993, p. C8. "Guerilla Artfare," Creative Loafing, Atlanta, May 8, 1993, p. 78-79. "Movies: One-Night Stands, " Express, Berkeley May 14, 1993, p. 34. "Festival: New Movies are Focusing on Human Condition," The Oakland Tribune, May 18, 1993. "One Man's Propaganda Art" The Orlando Sentinel, June 2, 1993, pp. E1, E3 [downloadable_PDF] "Robbie Conal: Sharpening the Critical Edge," Zone Magazine, Volume 2, Issue 4, pp. 42, 45. "An Eye For the Camera," Memphis Magazine, February 1994, p. 12. "Political Strokes," The Memphis Flyer, February 24 - March 2, 1994, p. 13 & 24. "Flick of the Week," Atlanta Press, November 13-19, 1998, p. 30.